Mohankrishnan sees (and hears) dead people.
Sankaranum Mohananum ("Sankaran and Mohanan", Malayalam, dir. T.V. Chandran, 2011)
Starring: Jayasurya, Meera Nandan, Rima Kallingal, Jagathy Sreekumar, Suraj Venjaramoodu, Sudheesh, Bijukuttan, Indrans, Kochupreman, Ambika, Rosilin, Sivaji Guruvayur
Worth Revisiting? Sadly, no. I honestly did not like this film very much at all. And that *is* sad, because it's from award-winning and acclaimed art-house director T.V. Chandran. I would give my eye teeth to see some of Chandran's previous work, and I do search for the DVDs regularly.
But Sankaranum Mohananum made me think of two French expressions. The first, "rester bouche bée" which I'd probably translate as "gobsmacked". But I realized part way through the film that I was honestly sitting there with my mouth agape at what was happening.
The other term it brought to mind is "quel gâchis" or what a waste. A waste of talent, for sure -- two small performances by Suraj Venjaramoodu and Jagathy Sreekumar are lost, Rima Kallingal is practically not there at all. The story made absolutely no sense to me. Okay, I get the idea: the dead take their worries with them into the great beyond, illustrated by the fact that Mohankrishnan's brother, Sankaran, who has died the day after his marriage, is obsessed with telling his wife that he still loves her.
However, I found the ghost of Sankaran incredibly annoying -- the only person who can see him is his brother, and he just keeps appearing in a series of strange avatars with no explanation why. He is also incredibly selfish -- when a new husband is found for his widow (a situation which will mean her whole life won't be ruined by his unfortunate and untimely death), he insists that his brother go and beat the guy up and stop the wedding. Later, he asks only that the wedding be postponed to a time when he will have lost his memories of his wife.
And I couldn't figure out why Mohankrishnan just blindly went along with everything his brother told him to do, instead of taking a step back and thinking maybe doing what his dead brother is asking maybe isn't the best course of action.
If that weren't enough -- suddenly, and late in the film, Mohankrishnan starts seeing and hearing other ghosts -- this is to reinforce the idea that when someone dies, they are helpless to take care of things that need looking after.
So I think I shall pass on writing about this film any further, and keep my fingers crossed that I can find some of T.V. Chandran's previous films to enjoy.



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